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You are here: Home > Writing in Education > Writing at University > Writing in Practice > Previous Issues > Writing in Practice Vol. 10 > 09 "I love this gory business": The Art of Female Hedonism in the Poetry of Chelsey Minnis and Sara Peters
09 "I love this gory business": The Art of Female Hedonism in the Poetry of Chelsey Minnis and Sara Peters
by Sophia Georghiou
Attachments: WIP 10 09.pdf

WRITING IN PRACTICE VOL 10


ABSTRACT

Does the incorporation of sensory details contribute to the hedonistic experience within poetry? This essay discusses the concept of hedonism in poetry, specifically the intimate connection between sensory richness, self-awareness and the poet-reader relationship. The poems analysed are "Sectional" by Chelsey Minnis and "Playing Lesbians" by Sara Peters, specifically focusing on how both poets employ vivid sensory details, figurative language, and tone to create immersive experiences for the reader. Moreover, the essay also reflects on the broader themes of gender, materialism, and societal critique embedded in both poems. Ultimately, this exploration aims to uncover new techniques and perspectives, fostering a sense of liberation for one’s own writing practice within the realm of sensory hedonism.

 

KEYWORDS

female pleasure, embodied language, hedonism, male gaze, female gaze, contemporary poetry, patriarchy, physicality

 

HOW TO CITE THIS ARTICLE

 

Georghiou, Sophia (2024) "I love this gory business": The Art of Female Hedonism in the Poetry of Chelsey Minnis and Sara Peters, Writing in Practice. 10. 115-124. DOI: 10.62959/WIP-10-2024-09

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